Each Master Photographer of the Camera Club of the Philippines attributes his winning the title to many different things. However, I believe it boils down to an inherent artistic acumen coupled with a good grasp of the knowledge of basic photography.
I utilize a set of fundamentals that help me capture the moment. Certainly, the first one is the quality of the light that elevates the image beyond the ordinary. This quality of light exists just before and after sunrise and sunset. This is when the light is at its most dramatic, evoking an extraordinary feel and mood on the subjects.
It has been my practice to get very close to my subjects. This technique avoids complicating the background and simplifies the image. This simplicity makes a good picture better. To me, capturing less people and objects and concentrating on one color in the background is the essence of a good photograph. Therefore, move yourself in if you have to. Too often have I seen a photographer using a zoom lens pressing the shutter endlessly on the same location. I suggest that after you take a photograph of the scene, move around and shoot it differently. Try angles that you have never shot before.
Most of us are gadget freaks. We think that carrying 5 lenses and 2 SLR bodies will bring us awesome images. Discipline is the key to success whether it is in sport or art. Besides, carrying 20 kilos of equipment on your shoulder can be hazardous to your health. Having to decide which lens to use with what camera prevents you from capturing that elusive moment. Simplify your equipment. More often than not, you can do more with less. Carrying one camera and one lens will allow you to concentrate better. Don’t focus too much on your gear. Rather focus on what you are photographing. This is one of the best ways to develop a keen eye for details. When you come home to show images to friends, you have one other thing to brag about and it is that you did it with just one camera, one lens and an eye for beauty.
* Author: Billy Mondoñedo, CCP Master Photographer
* This article was originally published in the January 2007 edition of the Viewfinder Year ’79.